Length - 1200 words maximum
Some connection to the Texas Hill Country
Previously unpublished and suitable for publication in a community newspaper
Deliver 3 copies to PO Box 2024, Fredericksburg, TX 78624 or bring to the next Conference meeting on June 25th, 2015, with a $20 bill attached. Top three will be published in the Fredericksburg Standard Radio Post. Put a cover sheet with your name and contact information and I'll assign a number to your entry (judges will not know the name of the writer). Proceeds will go towards our 2016 Agent/Editor Conference.
Also: I would like to know if you plan to enter a story, as we've only received 3 to date, and we need 20.
Sunday, May 31, 2015
Tuesday, May 5, 2015
Sally's take on writing critique groups
WRITING CRITIQUE GROUPS
by Sally Clark
Every critique group has its own flavor. Some are plain vanilla and some are best described as rocky road. It is crucial that you find the one that tastes best to you.
Why would you want to be in a critique group? More importantly – why wouldn’t you? Everybody loves ice cream. Critique groups can provide friendship, sharing of information, help with marketing, sympathy when you are rejected, rejoicing when you succeed, and most importantly – an opportunity to learn your craft and improve your writing, increasing your odds of publication.
If your skin is thin and you need lots of praise without much “crunch,” you can find a soft-serve vanilla group. If your tastes run darker, you could look for a double-chocolate-mocha group heavy with dark chocolate shavings. And if you want a party in a cone, look for a raspberry-sherbet-with- confetti-sprinkles type of group. They're all out there.
If it’s not the right group for you, you might dread attending the meetings. But when you find one that suits your writing style, you can benefit from it greatly. While most any reader can tell you what doesn’t work in your manuscript or ask where did that character come from, people who are writing in your own genre are the best at telling you how to fix it.
No matter how good a writer you already are, you will be a better one if you’re part of a group. In the summertime, it’s hot outside. You need to head down to your local ice cream parlor and cool off. You can find whatever you want there – an icy soda of grammar and sentence structure correction or a big banana split with three flavors of critique and a cherry on the top. You are sure to come back for more!
Or if you prefer, you can sit outside on the bench and watch other writers come out full and happy. The choice is yours.
p.s. – This article was critiqued by two of the four writers groups I participate in. As with ice cream, I believe if some is good, more is better. J
Sally Clark, http://sallyclark(dot)info
p.s. – This article was critiqued by two of the four writers groups I participate in. As with ice cream, I believe if some is good, more is better. J
Sally Clark, http://sallyclark(dot)info
Author of Where's My Hug?, Ideals Children's Books, 2015
Kent's take on writing critique groups
I hope I didn’t sound smug when I said that I write for a readership of one (me!). What I meant was that since tastes in style and content differ so much, I thought I’d write what I’d like to read and hope I had kindred spirits out there somewhere.
That doesn’t mean I don’t trust others’ judgment regarding the quality of my writing. Quality transcends personal style, and that’s where I very much value the opinions in the writers group. When, as is often the case, someone suggests an alternate way of saying something and I think, "Of course! Why didn’t I think of that?" then those moments alone make our meetings worthwhile, apart from the sheer enjoyment of meeting together and sharing our work and our ideas.
Writing groups may not work for everyone, but they certainly do for me.
Kent Rylander
Sunday, May 3, 2015
Why We Have This Blog
I intentionally said something harsh to the Fredericksburg Writers Conference group recently, "If you aren't in a writing critique group, you probably aren't a very good writer." There has been lots of feedback. My intent was to stimulate conversation, and we had it. My preferred way for feedback is via a comment on this blog, but that didn't work for everyone, or maybe I don't have it set up correctly. I learned that there are several ways to get critique of your writing, and it isn't always in a face to face meeting. I learned that some writers (even some very good ones) have a very thin skin.
I am open to other topics - what opinion or question would you like to put out to our group? Something controversial may get more response.
Short Story Contest - deadline is our next meeting, June 25th. Maximum 1200 words, some connection to the Texas Hill Country (however tenuous), mail 3 copies with your name and contact info on a cover sheet to PO Box 2024, Fredericksburg, TX 78624,along with a $20 bill. The top three will be published in the Fredericksburg Standard Radio Post. The money will go into the envelope towards our 2016 Editor Conference.
Our next meeting will present Christine Granados with "My Story" and "Avenues for Publishing Here". We may also have a panel discussion with some screenwriters. I have some leads on other programs from the membership, please keep sending them.
Mara and I have recruited several of our regular members to form a board of directors, and soon we will have a meeting and put some organizational in this organization. So far, we've been winging it.
Will someone please post a comment on this so I can see if that function is functional?
Robert Deming
Mara Fox Moretti
I am open to other topics - what opinion or question would you like to put out to our group? Something controversial may get more response.
Short Story Contest - deadline is our next meeting, June 25th. Maximum 1200 words, some connection to the Texas Hill Country (however tenuous), mail 3 copies with your name and contact info on a cover sheet to PO Box 2024, Fredericksburg, TX 78624,along with a $20 bill. The top three will be published in the Fredericksburg Standard Radio Post. The money will go into the envelope towards our 2016 Editor Conference.
Our next meeting will present Christine Granados with "My Story" and "Avenues for Publishing Here". We may also have a panel discussion with some screenwriters. I have some leads on other programs from the membership, please keep sending them.
Mara and I have recruited several of our regular members to form a board of directors, and soon we will have a meeting and put some organizational in this organization. So far, we've been winging it.
Will someone please post a comment on this so I can see if that function is functional?
Robert Deming
Mara Fox Moretti
Melinda's take on Critique Groups
Re: Discussion on Critique Groups, Melinda Holley's view:
The broad range of opinions posted on this topic demonstrates that there's no right or wrong way to be an author. Two published authors have posted opposing views on what works for them and there's plenty of room in the middle as well. I don't think an apology is in order but perhaps the view that critique groups are a necessity should have been expressed as an opinion rather then a statement of fact. Robert spends a lot of time and effort helping to further the goals of the Conference and I think his intentions were good when he made the observation about critique groups.
I have a critique group, but input is done via technology and the occasional phone call since my "group" is spread out all over the US. Having a full time job and full time life, I prefer to use my limited "free" time (as if there really is such a thing!) to either write or conduct the business of living, including time recharging my batteries. Some of the conference members have graciously allowed me to participate in their group in the past and it was helpful, but I simply can't spare the time to do it on a regular basis.
Does that mean I'm not a good writer? Time will tell but it's the only way I can keep balance in my life right now.
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