To learn, or not to learn, that is the question.

Some friends and I attended the Texas Writers Conference event on Monday night at Schreiner University.  The keynote speaker was Bret Anthony Johnston, who is from Corpus Christi but is currently the director of creative writing at Harvard University.  Bret read for us and took questions.  He was funny and charming and complimentary of the questioners.  I figured he had to be pretty damned smart to be teaching at Harvard.  I wasn't disappointed.

Bret's writing is character-centric, which now seems different to me than storyline-centric.  The action in his stories is inside the characters.  I think this might be the way to write the Great American Novel; I am still trying to write a story as good as Last of the Mohicans.

My question for you is, can creative writing be taught?  There are a lot of classes which offer this.   My friend Tom learns well by reading and in classroom settings.  I learn best by doing.  What about you?  Your comments are invited.

  Bret Anthony Johnston

The Tractor

I talked with my friend Robert Schwarz last night on the telephone.  He lives about as far out in the middle of nowhere as one can get these days and still be in the hill country.  He has written most of his two memoirs in a spiral notebook with a pencil on the hood of his old ranch truck in a pasture in that middle of nowhere.  He told me of a time he spent struggling with a paragraph, and when suddenly, there it was, clear as day, while he was baling hay, he stopped the tractor and wrote it down  with a pencil from the toolbox on a feed sack he was using as a seat cushion.  Here is an excerpt from "R L and Other Stories"

Tall at slightly over six feet; slender maybe 160 pounds, muscular with the long, thin untiring muscles of the fields and cedar brakes; sharp features; large intense brown eyes, short scissor cut brownish hair; smooth faced without even a hint of a beard; short upper body with long legs; floppy battered grey felt hat with a high crown and wide brim turned downward all around; work worn scarred calloused hands with long fingers liberally coated with the blackish tar like cedar resin; leathery skin - Ben was the archetypical cedarchopper.

Robert has been to a couple of Conference meetings, and one of these meetings we'll get in a discussion about writing.  For me, the Conference is about just that - talking about writing with other writers.

Talk up our short story contest, tell your friends about the Conference, and if you have a really good paragraph you would like to share, send it to me.  As always, your comments on this blog are invited.

Me?  I'm still trying to write a paragraph as good as Robert's.

Writing Critique Groups? Who says you need one?

In my recent email to the members of the Fredericksburg Writers Conference, I said, "If you aren't in a writing critique group, you probably aren't a very good writer."

Member Jack Swanzy objected, quoting an article in the New York Times (I think this is it, but I'm not sure, let me know if not).  Jack said (reprinted with his permission):

I am intrigued by your insistence on participation in a writing critique group. Especially the notion that “if you aren’t in a … group, you’re probably not a very good writer.” There are too many examples of great writers who weren’t. And too many examples of people in groups whose writing falls very far short.

The following is from an essay in the NY Times today. Writing critique group? How passé. You really need an MFA. 

“That’s not necessarily a negative notion (we are all MFA’s), according to Dr. McGurl and Mr. Harbach (who received a $650,000 advance for his first novel, “The Art of Fielding”). But it seems to trouble many others, especially aspiring novelists and poets. With so many highly tutored creative writers already out there, is success possible without the instruction and literary connections that are cultivated in M.F.A. programs and that a volatile publishing industry — now evolved around program graduates and sensibilities — has come to look for and expect?"

In defense I consider my own participation for more than ten years in a critique group; I have done a good deal of writing which I thought was brilliant, but when read in front of the group appeared less so.  The simple process of reading your work in front of other writers is all by itself instructive, and the heart-felt, sometimes harsh, always thoughtful critiques more so.  Our Conference speaker from a couple of years ago, the delightful local author Anointette Van Heugten, detailed her long journey to becoming a best selling writer, and she didn't mention being in a writing critique group.  However - she did explain a close relationship with her New York agent, who critiqued her story every step of the way, and I would say that is a critique group.  

What is your experience?  Lets hear about it.

Short Story Contest

The Fredericksburg Writers Conference invites you to join our contest.  Get published in an award-winning newspaper!  Enter the Fredericksburg Writers Conference Short Story Contest.  Stories will be judged by a panel of published authors, and the top three places will be decided by the Fredericksburg Standard Radio Post editorial staff.  The entry fee is $20 (cash preferred - we don't have a bank account yet) and a written critique is available for an additional $10 fee.  The story must be set in or connected to the Texas Hill Country, suitable for publication by a community newspaper, 1200 words or less (Times New Roman or Courier fonts please) and the deadline is our next meeting on June 25, 2015.  Mail three copies of your story to Short Story Contest, PO Box 2024, Fredericksburg, TX 78624.

Please only submit previously unpublished stories; poetry is acceptable if it is a narrative (Robert Service poems like The Spell of the Yukon come to mind).

Let's have some fun!

Robert Deming
Mara Fox Moretti

What's on Tap for the next Writers Conference?

We meet January 22nd from 6-8 at the Hill Country University Center. 

If you have been attending, you might realize that we have settled into three themes for each meeting:

What have you been up to?  What are you writing, what meetings or conferences have you been to, what have you learned, and what of your writing is getting published or read?

Craft skills: perspective v.s. point of view, adjectives, trite expressions, powerful words, and so on.

And, Our feature presentation:

Cosmic justice, emotional stimulus, music, and nesting boxes: How do these words fit together to strengthen your writing?

In the process of weaving these ideas from brain science discoveries, music, and coaching together, Sheila Kale proposes strategies to deepen the impact of your writing.

Plan for an interactive and provocative session at the Writer’s Conference on January 22 at 6:00 in the HEB room at the Hill Country University Center.

Presented by Sheila Sattler Kale.  Sheila is a friend of mine from Toastmasters.  She is a life coach and public speaker.  Her presentations nail it every time.  Join us and see for yourself.

 

Robert Deming

Mara Fox Moretti

Conference Meets September 25th.

The Fredericksburg Writers Conference will convene on Thursday, September 25^th, from 6-8 PM at the Hill Country University Center.  The program will include a guided discussion about point of view and updates by members on their progress.  The feature presentation will be presented by Ken Esten Cooke, Editor and Publisher of the Fredericksburg Standard-Radio Post.  Attendance is open to anyone interested in writing.

Questions may be addressed to Robert Deming, rcdeming@gmail.com.  There is no fee for the event.

Speaking: Fredericksburg's Most Prolific Writer

The next quarterly meeting of the Conference will be 6-8 PM at Hill Country University Center on Thursday, September 25.  Our featured speaker will be Ken Esten Cooke, Editor and Publisher of the Fredericksburg Standard Radio Post.

We will have other discussions as well, including the opportunity to tell about your project and recent successes and challenges.  Plan to come, tell your friends, bring your questions.